Inputs
- Analogue IN: 8 balanced inputs on 1 DSUB 25-pin connector
- 8 microphone preamps with up to 72dB of gain
- Featuring Advanced Stepped Gain Architecture™
- *AES-EBU IN: 8 inputs on 1 DSUB 25-pin connector
- (192k single wide compatible)
- *Optical IN: Supports ADAT, SMUX & S/PDIF
- ADAT: 8 channels 44.1-48 kHz
- SMUX: 8 channels 88.2-96 kHz
- S/PDIF: 2 channels, up to 96 kHz
- Coax IN: 2 channels of S/PDIF, up to 192 kHz
Outputs
- Analogue OUT: 8 balanced outputs on 1 DSUB 25-pin connector
- *AES-EBU OUT: 8 outputs on 1 DSUB 25-pin connector
- (192k single wide compatible)
- *Optical OUT: Supports ADAT, SMUX & S/PDIF
- ADAT: 8 channels 44.1-48 kHz
- SMUX: 8 channels 88.2-96 kHz
- S/PDIF: 2 channels, up to 96 kHz
- Coax OUT: 2 channels of S/PDIF, up to 192 kHz
* Hardware switch selects AES or Optical digital input format
Monitor Workflows with Dolby Atmos and Sony 360
Mixing for Dolby Atmos and other immersive 3D formats is rapidly becoming an essential skill for the modern creator and engineer. As streaming services highlight immersive content and record companies require immersive audio deliverables, you may be asking yourself “how do I get started”?
With Symphony I/O Mk II Thunderbolt’s Monitor Workflows, you’ll effortlessly configure and operate your monitoring system for Dolby Atmos, Sony 360 Reality Audio and other immersive audio systems with control of up to 32 Speaker outputs.
