Inputs
-
- Analogue IN: 2 balanced inputs on 2 female XLR connectors
- AES IN: Stereo input on 1 female XLR connector
- Optical IN: Supports ADAT, SMUX & S/PDIF
- ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
- SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector
- S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector
- S/PDIF Coax IN: 2 channels, up to 192 kHz on 1 RCA connector
A/D
- THD+N of -116dB @23dBu (0.00016%) unweighted
- Dynamic range: 124 dB (A) of dynamic range
- Maximum input levels:
- +4dB setting: +24dBu
- -10dB setting: +6dBV
- Frequency response at 44.1kHz: 1-20,000 Hz (+/- 0.05dB)
- Input impedance: 10K
Outputs
- Analogue OUT: 6 balanced outputs on 1 DSUB 25-pin connector
- AES OUT: Stereo output on 1 male XLR connector
- Optical OUT: Supports ADAT, SMUX & S/PDIF
- ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
- SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector
- S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector
- S/PDIF Coax OUT: 2 channels, up to 192 kHz on 1 RCA connector
D/A
- THD+N of -118dB @ 22dBu (0.00013%) unweighted
- Dynamic range: 131dB (A) dynamic range
- Max output levels – ∞ to +24dBu
- Frequency response at 44.1 kHz: dc to 20kHz (+/- 0.05dB)
- Output impedance: 25 Ohm
Monitor Workflows with Dolby Atmos and Sony 360
Mixing for Dolby Atmos and other immersive 3D formats is rapidly becoming an essential skill for the modern creator and engineer. As streaming services highlight immersive content and record companies require immersive audio deliverables, you may be asking yourself “how do I get started”?
With Symphony I/O Mk II Thunderbolt’s Monitor Workflows, you’ll effortlessly configure and operate your monitoring system for Dolby Atmos, Sony 360 Reality Audio and other immersive audio systems with control of up to 32 Speaker outputs.
